Ew. What. a. gross. day. After a beautiful weekend spent in the burbs (it is awfully nice to see lots of trees), I come back to this shit? That combined with the mass exodus to the west that most of my office took, lasting the next few days, it’s a very very sleepy Monday. What to do? Blast the tunes, of course.
So here’s my Rainy Day Monday Sucks So Let’s Make it Better playlist. Tuning out the clicks and beeps, cocooning myself in good music, I just might get through this gross day yet.
“Deception” by Blackalicious: There’s just something about that recurring “La-di-da-da-da-di-da…” that makes me so happy. The delivery is laid-back, the harmony is a bit sloppy, and it just works so well. And I’m always a fan of piano in hip-hop.
“New Soul” by Yael Naim: Yes, the song from the MacBook Air commercial. I’m sorry for being dreadfully cliche, but this is a really really lovely song. After you hear it, that melody just won’t let you go. Which would be a problem if it weren’t such a delightful one.
“Going On” by Gnarls Barkley: This might be the best cut off their new album. Doesn’t really have the same cache as “Crazy”, but the chorus of this song just kills me. When the song hits that dark ending part at around the 2-minute mark, it’s almost like the record has cracked open and you’re peering into the vastness of their warped minds. That happens much more, and with much bigger affect, on other parts of the album, but I just can’t get enough of this one.
“thickfreakness”, by the Black Keys: This is an old standby. If the song were nothing but 3 minutes of that opening hook, I think I might even be satisfied with it. Dan Auerbach’s vocals seem to me to come out of another time. Can’t understand a damn word he’s saying most of the time, but that didn’t stop Eddie Vedder from being a great frontman, and the same applies here.
“Pulling Mussels (From A Shell)” by Squeeze: Ok, this is the 80’s dork in me talking. I can’t even begin to describe how much I dig this song. It’s so bright and shiny. (Listen to those guitars chirp!) I can’t tell whether to consider it dated or vintage, but the fact that it is so firmly stuck in the past does not bother me at all. Sure the guitar and piano solos leave a tiny bit to be desired, but it’s the FEEL of this song that makes it great. And that anticipatory guitar strum right before the verses gets me every time.
“Sunrise” by Yeasayer: This band uses some pretty crazy sounds. The drums make it sound kind of tribal. And the vocals are difficult to pin down. On one hand, his voice is really raw, but with the effects they use, you wouldn’t be surprised to hear it on a dance track. Which I guess this kind of is. A really cool one. And when the chorus hits with “I wanna get in the sunrise”, I can’t help but think, “yea. i wanna too!”
“We Can Work It Out” by Stevie Wonder: Covering a song is tricky business. Even trickier is covering a Beatles song. But if anyone can take a great song and make it their own, it’s Stevie. Sure, the “hey”s in the verses are a little on the cheesy side, but that part of the song (the Paul part) was a little cheesy to begin with. And Stevie kills it when he hits the John part (“Life is very short…”). And a well-placed tambourine can do a lot.
“Elevator Music” by Beck: I don’t listen to enough Beck. The atmosphere he creates with his music is incredible. Understated grooves all around. And he does skinny-white-boy pseudo-rap better than anyone. If I were ever to make a movie, I think it would be the kind of movie that would have a lot of Beck in the soundtrack.
“Bell Bottom Blues” by Derek and the Dominos: I don’t have one, but if i had a list of my top 10 tracks of all time, I think this might be on it. No matter how many times I listen to it, it never ever gets old. That graffiti artist may have been right. Clapton might be god. A tortured god, but a god nonetheless.